Accompanied by a certificate issued by R Gallery and signed by the artist confirming the authenticity of this lot

ABOUT THE WORK

Avast majority of contemporary art as well as artists are often viewed as being critiques of the works and era that preceded them. But the art world is no stranger to this phenomenon. Modern art in the 20th century thrived off being a critique of the academic and classical styles, thus showcasing how it can evolve not only by looking outward but within itself as well. Yet such a concept is not homogenous within the community. Instead some artists have decided to revive styles and disciplines for the audiences of today. Filipino Contemporary artist Joel Chavez is among those who wish to bring a bygone era of art to a new generation. Unlike most artists in the field, Chavez did not receive formal training in the arts. Instead while pursuing a degree in Advertising Chavez, together with his friends and co-artists, honed his skills through art events and concepts. Eventually he would develop a deep-seated interest in Neoclassical painting. In an interview with Matther Burgos, Chavez noted that “From that time, I was too enthusiastic and keen to comprehend well the Classical approach in arts. That inspired me to do my own initiative and do a self-study of the concepts and history of Neoclassical Arts.” Chavez’s work would eventually come to be defined as recreations of Neoclassical works coupled with more modern sensibilities such as elements of steampunk and pop art elements. This piece belongs to a much more recent period of Chavez’s practice which features more local scenes from our country’s colonial past. This interest in local aesthetics is noted to be the artist’s attempt at not only reconnecting with his roots, but also act as a celebration of our heritage. (J.D.)