The 1930s for Fernando Amorsolo is among the most prosperous in his career. His Golden Period spans over this decade, having been established as a household name whose works have been enjoying the fame he was rightfully awarded. More than his eminent name, Amorsolo’s works boast great technical aptitude and the idyllic Philippine countryside – both of which are evident in his 1938 work.
The beautiful Filipino dalaga – a favored muse of the esteemed artist – features heavily in this work. Cheeky and playful, the young girl looks over her shoulder and smiles at the viewer, the setting sun’s rays washing over her. Amorsolo’s grasp on the vibrant Philippine sun captivated the Philippine aesthetes of the time – gone were the dreary grayish fields when Amorsolo came into the scene. Now, warmth floods the canvas as women, children, and men frolic in the fields in his canvases, a nostalgic call to the past.
Even when the Philippines faced rapid modernization, Amorsolo remained faithful to his pastoral vision. He continued to portray his lavanderas, his farmers, and as this work says, his dalagas. His women are infused with the strength and dignity he finds within the women he has in his life, all the while retaining their beauty and wonder. His impressive oeuvre cemented Amorsolo’s position in history, his shadow casting far and wide as he fervently and steadfastly devoted himself to the Philippine countryside. (Hannah Valiente)
PROPERTY FROM THE COLLECTION OF A DISTINGUISHED FAMILY
Provenance: Private collection, Manila