ABOUT THE WORK

In these two works, Albor does not only showcase the diverse possibilities of his approach, but also how his practice can create juxtaposing pieces that stem from the same philosophy. Here, one work is created through a thick and almost spontaneous layer of paint. While the other piece reflects the much more meditative side of Albor’s approach as it features a seemingly slowly expanding circle. As in Zen art, the viewer’s interpretation of visual elements adds to the art work as a visual experience pregnant with enigmatic meanings, despite its minimalism Albor's art-making always avoided representation, his oeuvre has always been a steady progression away from objects and external reference. His visual language progressed to works in different shades of the same neutral color. Albor is best known for his dominantly gray paintings. In this piece, Albor seemingly confronts the aesthetic potentialities of minimalism by showcasing two images side by side, one featuring Albor’s more experimentations with color and shape, and another utilizing Albor’s trademark use of white. Albor’s piece and use of space suggests a certain narrative arc at play, one that reflects Albor’s musings regarding art as it enters a new era. (J.D.)