PROPERTY FROM THE ROBERTO T. VILLANUEVA COLLECTION

Accompanied by a certificate issued by the heirs of the artist confirming the authenticity of this lot

ABOUT THE WORK

Saprid’s Flagellants Series A Microcosm of Filipino Catholic Culture Hailing from Imus, Cavite, Solomon Saprid is one of the most celebrated modern Filipino sculptors. His foray into sculpting was sparked by the encouragement of Vicente Manansala, a pivotal moment that set him on a unique artistic path. His first wooden sculpture, Sad Christ, was not just a bold entry into the 1967 Art Association of the Philippines’ (AAP) annual art competition, but also a significant moment that piqued the art community’s interest, marking the start of his artistic journey. This momentous piece was a testament to his potential and set the stage for his future success. Consequently, he represented the Philippines in the 1971 Indian Triennale and the 1973 Australian Biennial. While Solomon Saprid’s subjects often revolve around Philippine mythical creatures, such as his famous Tikbalang series, he has also explored various other themes. These include crucifixion, flagellants, mother and child, puppeteers, and sundry genres of peasants and working folks. Throughout his career, Saprid has shown remarkable versatility, experimenting with various materials. His most favored one, metal, allows him to shape, stretch, and transform it into expressive figures, showcasing his adaptability and rang While most of his works are made with bronze, Saprid also takes pride in his brass works. Featuring a man slightly bent down while whipping his own back, this outstanding bronze sculpture is a testament to Saprid’s ingenuity. In Filipino culture, this is an act of penitensya, an occurring sight and practice during the Holy Week. Despite its negative implications on one’s physical health, this is still a continuing practice among Filipinos, for they believe that this act of repentance “will save them from their sins.” Like his other works, an expressive freedom of sculptural manipulation is evident in this work. Moreover, the piece at hand demonstrates Saprid’s unbending dedication, meticulous attention to detail, and diligent attitude in working, cementing his name as one of the pillars of modern art. (Jessica Magno)