Lydia Velasco’s works subvert the traditions of the female form by rendering her figures in poses and visual elements that are often absent in more traditional treatments of femininity. Free from the vulnerability and overt delicateness audiences often associate with female figures, Velasco’s subjects do not only exude an aura of confidence and stature, but also of humanity; implying a sense of respect without authority and equity without prejudice. It is this seemingly humanistic and cosmopolitan stance that gives Velasco’s works its conceptual and aesthetic rigour. Though despite its revolutionary ideals, Velasco’s practice is one that is deeply personal. Inspired and encouraged by her parents, but most notably by her mother who would also often paint still lifes amidst the day-to-day tasks that come with being a housewife, Velasco sought to reveal and uplift the abilities and talents of women by drawing inspiration from those around her. Her practice sought to reveal the strength of will of women amid challenges. This distinct philosophy is captured through her distinct skills in rendering muscular physiognomy. Her works, like this specific piece titled Velasco I, are noted for an evident balance between grace and boldness, of dignity and sensuality.