Lammaroza first attracted attention in the early 1970s with paintings that were rigid in a planar way, evidently under the influence of Victor Vasarely, but without the vibrational qualities in the works of the latter. If there was any imagery in the works, it was repeated within the grid frame, serially, latticed within the unit square or rectangle. In college, Lamarozza was also influenced by local modernists like Lee Aguinaldo and Roberto Chabet.
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Prudencio Lamarroza (b. 1946)
Lavender Glory
signed and dated 1969 (upper left)
oil on canvas
24” x 24” (61 cm x 61 cm)