PROPERTY FROM THE MARITESS MENDOZA PINEDA COLLECTION

ABOUT THE WORK

Within the context of Philippine art and its artworld, the mainstream populace is more likely to attribute the medium of painting, sketches, and even prints to the term fine art. Despite having existed since the pre-colonial period through primarily ritualistic, religious, and even utilitarian purposes, sculptures often do not occupy the same level of mainstream popularity as other media. Regardless, sculpture has enjoyed much conceptual rigor and experimentation as much as other forms of art, and here in the Philippines, no one has contributed to the novel exploration of the medium within recent memory as much as Gabriel Barredo. Barredo's artistic style defies easy categorization, as his installations defy conventional notions of medium and form. He seamlessly combines found objects, organic materials, mechanical components, and even taxidermy, constructing intricate and immersive environments. His works often take on labyrinthine structures, where viewers navigate through a maze of objects, each laden with symbolism and meaning. Barredo's meticulous attention to detail creates a palpable sense of awe and intrigue. His installations frequently incorporate discarded objects and remnants of the past, resurrecting them as potent symbols of collective memory. Through his manipulation of these objects, Barredo challenges our preconceptions, prompting contemplation about the transient nature of life and the legacy we leave behind. (J.D.)