The Magnificent September Auction 2019

September 14,2019 | 02:00 PM
G/F Eurovilla 1, Rufino corner Legazpi Street, Legazpi Village, Makati City, Philippines

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Emmanuel Garibay   (b.1962)

Kaganapan
signed and dated 2006 (lower left)
oil on canvas
48” x 48” (122 cm x 122 cm)


PHP 300,000

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Provenance: Leon Gallery, The Asian Cultural Council Auction 2015, Lot 26; Acquired from the above by the present owner

          Emmanuel Garibay’s multi-leveled symbolism which traverses various cultural contexts makes for an art that continually offers new insight.  This thematic complexity is borne by a richly painterly style, with the  suggestion of the linear application of colors among other techniques. 

          Garibay expresses social anguish using the visual language of Catholic tradition —  the Passion and Crucifixion of Christ — and turned the image into a searing and  unredemptive symbol of the trials of the masses.

          Documenting the people in his life, Garibay creates social scenarios that are as eerie as they are compelling.  He divests the crucified figure of its specific Christian association and turns it into a “crucified” everyman (the man’s arms are outstretched in crucifix fashion, even though there is no cross) atop a maelstrom of social issues.

          While the basic ground of his imagery is still the narrative of Christ with the focus on the Crucifixion and the Resurrection, Garibay constructs this a metatext, which is the radical interpretation of Christ’s sacrifice in terms of Filipino spirituality and social realities.  Indeed, a radicalized Christology.


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